Radical reassessments of painting were made throughout the 20th century.
But why still denying the act of drawing and its value ? Why still contesting and doing without the asthetics of the ratios, the proportions and the harmony of lines?
Little by little, it thus resulted that my work could be a confrontation between the ideas of the beginning of the 20th century and the application of the perfection principle established during the Renaissance.
This combination, which may sound incongruous, produces in me ideas full of shapes and distortions leading to expressive ideas.
I offer to share with you these moments when the eye and the thought, the shape and the idea of the shape, generate in us feelings and emotions.